As they mature they maintain their character and perform, in some cases, even better then when I first used them. "And when I need a little extra definition there is nothing like the RenaissanceĬat's tongue sables to place the paint with surgical precision. I especially enjoy the Grand Prix filbert bushes which I use extensively. "Silver brushes feel as if they have been custom made for me and my painting. Every stroke seems to roll directly from my fingertips, which gives me an essential connection to my work. With beautiful craftsmanship and a refined and responsive feel they are ideal painting tools. "From the first broad strokes to the last precise details, Silver Brushes leave their mark on all my paintings. When asked "Why Silver Brush," Rob answers, Rob's portrait demonstrations have become a favorite for students attending the Portrait Society's Portrait Academies. Robert has been commissioned to paint portraits for clients such as Marc Pachter, long-time Director of the National Portrait Gallery, George H.W. The previous year he placed Best of Show. PORTRAITS: In April of 2003 Robert received the Portrait Society of America's Grand Prize Award in their annual International Portrait Competition. Three of Rob's drawings were selected to be displayed in New York's prestigious Arnot Museum of Art. Rob is working on a book for Watson-Guptill Publishing which focuses on his contemporary approach for creating "old master" style drawings. American Artist magazine highlighted Rob's drawing techniques as the cover feature in their May 2002 annual drawing issue. He works in a variety of mediums including pencil, chalk, pen and ink, watercolor, and oil.ĭRAWING: Rob is perhaps best known for his classic and distinctive style of figure drawing. His work is inspired by the centuries of knowledge, skill, and elegance of the old masters. Robert Liberace is equally accomplished in drawing, painting, and sculpture.
ROBERT LIBERACE FIGURE DRAWING SERIES